Gilgamesh has a dream, and Enkidu interprets it: Enkidu tells Gilgamesh not to despair over his mortality.
Gilgamesh This Essay Odysseus Vs. Some may view character as how one handles a certain hectic situation or how well one person treats another. A true definition character contains these elements, but one's character is built and developed mainly on how one picks and chooses his time to act and his time to wait.
This definition refers to restraint and discipline. Gilgamesh and Homer's The Odyssey uses many instances in which the main characters must use incredible restraint to protect not only themselves, but also the ones they care for and love.
Although both stories use this theme of self-control and discipline to develop certain personalities, each one tells a different account of how these characters are viewed by their fellow men and women and the rewards that come from showing the traits of restraint and self-will.
In Gilgamesh, the character that holds back and exhibits patience is viewed as a coward, as Gilgamesh believes, and is a sign of a lack of bravery and confidence. The way that patience is portrayed in Gilgamesh reflects how the society of the time feels about everything in their lives.
The author of this story wants the reader to believe that one must not hesitate and must act decisively and quickly. Opposing this belief, Odysseus holds back emotions of rage and homesickness in order to complete the task at hand.
Homer, living in Greek society, understood that his people thought more about the problem before coming to a quick conclusion and then acting on it impulsively. So, although both stories repeat the concepts of self-restraint and discipline as The journey of gilgamesh building qualities, they differ in the way that these attributes build or weaken a personality.
The story of Gilgamesh begins in the ancient Middle East, a land that was mainly war-faring and used "take by force" tactics to gain leadership, power, and fame.
Since this was the prevailing opinions, the authors, few may it be, tended to define their heroes as men of quick, vicious action. Those who hesitated were run over by those who didn't. Character was built based on one's ability to act quickly and without uncertainty.
Gilgamesh was involved in several situations in which he could choose to wait and act later or push forward and complete the task at hand. Gilgamesh's brother, Enkidu, also did not use restraint in several of his performances. The very first instance of Enkidu doing such is when he is tempted by the harlot.
Enkidu is half man and half beast when this happens. Now, woman, make your breasts bare, have no shame, do not delay, but welcome his love She was not ashamed to take him, she made herself naked and welcomed his eagerness" Gilgamesh Enkidu did not refrain in the least from leaving his animal ways to go to the tempting woman.
! 6! whereharlotsstandaboutprettily,! exudingvoluptuousness,fulloflaughter! andonthecouchofnightthesheetsarespread(!)."! Enkidu,youwhodonotknow,howtolive,! Gilgamesh was a historical king of the Sumerian city-state of Uruk, a major hero in ancient Mesopotamian mythology, and the protagonist of the Epic of Gilgamesh, an epic poem written in Akkadian during the late second millennium BC. Gilgamesh’s many journeys mirror his internal journey to become a selfless and devoted king. Another example of personal growth is in Boarderlands. One of Anzaldua's first obstacles was coming to .
When he tried to return to the beast after his six days of passion, they rejected him, for he was now fully human. Because of his lack of will-power, Enkidu lost his life in the wild, but he also gained his life in the manly world. His character as a human was reinforced and was now stronger and wiser than before.
A second example of a lack of patience comes from Gilgamesh in his decision to travel into the Cedar Forest and fight the terrible Humbaba. One day, he decides to fulfill his destiny and make a name for himself, and the next day, he is on his way.
Gilgamesh does not think of the recourses of his actions and does not plan his adventure carefully and wisely. Even the elders tell him, "you are young, your courage carries you too far, you cannot know what this enterprise means which you plan" Gilgamesh As they continued to warn him of Humbaba's strength, Gilgamesh paid no attention.
Gilgamesh continues on with his plans, and Enkidu and Gilgamesh slay Humbaba. They are welcomed home with great appreciation by the people of Uruk, and all know that there character cannot be topped. Here, as the story is told, the elders doubted him and warned him, Gilgamesh paid no attention, and Humbaba was defeated.
The characters of Enkidu and Gilgamesh were made stronger by this act, even though they showed little restraint in acting upon it. A third occurrence of character building comes after the death of Enkidu. Gilgamesh is so distraught with the loss of his brother, and his mind is not clear, for he has grieved for days and days.
He has only thought of his brother and not of his duties as the ruler of Uruk. After several days of unclear thought, Gilgamesh decides that the only thing he can do is make an extremely long and dangerous voyage across the mountains to find Utnapishtim, the only man who can put Gilgamesh's despair to rest.
Instead of showing discipline and leading his people, he picks up and takes off on a long trek across the Mashu Mountains. One instance during his journey that's shows a terrible lack of discipline happens when Siduri tells him that he probably won't be able to cross the "Ocean.
Because of Gilgamesh's complete disregard for sensible thought, he had to go into the woods and cut down trees to repair the boat. Gilgamesh's complete absence of restraint in controlling his emotions did nothing more than cost him time.The Epic of Gilgamesh narrates the journey of Gilgamesh, the King of Uruk.
When the epic begins Gilgamesh is lost, wishing for unattainable things in life, and is afraid of death. He believes that he is above the common man because he is 2/3 god and 1/3 man, and that he should be favored and.
The first journey is an external one, in which Gilgamesh proves himself to be the most valiant of all warriors, overcoming Enkidu and Humbaba.
The second type of journey is an internal one, in which Gilgamesh seeks to understand the meaning of life, after the death of his beloved friend Enkidu. Gilgamesh returns knowing that immortality is reserved for the gods and that he is human; he must enjoy the life he has (bad king before, good king upon return).
Gilgamesh’s many journeys mirror his internal journey to become a selfless and devoted king. Another example of personal growth is in Boarderlands. One of Anzaldua's first obstacles was coming to . A short version of The Epic of Gilgamesh. Tablet One: The Creation of Gilgamesh and Enkidu Gilgamesh invites Enkidu on a journey On their way to Uruk, Shamhat and Enkidu came to a shepherd’s camp.
There Shamhat clothed Enkidu and taught him how to eat and drink like a civilized person. The shepherds remarked how. journey to the underworld and Gilgamesh’s journey to Utnapishtim: Gilgamesh’s journey over the waters of death is very similar to the journey into Hades in Greek myths.